Rotella's collage work and phonetic poems inspired by that of Kurt Schwitters sprouted up in Rome during the mid 50's independant of the Nouveaux Réalistes group from Paris which included Arman, Hains, Villeglé and Dufrêne which he later joined in 1960 once they discovered each other. Abstract expressionist in composition and appearance, one is reminded in these particular works from the 1950's/60's of the dynamics and color harmonies in the paintings of Clyfford Still. Rotella exhibited the 'torn poster' decollages for the first time in an exhibition entitled "Esposizione d'arte attuale" (1955). In 1960 he met De Kooning and Rothko in Rome.
Robert Mars’ artwork chronicles an evolving fascination with the Golden Age of American popular culture and celebrates the icons of the 1950’s and 60’s
by taking inspiration from this culture long past. Through the application of a rich color palette and tongue-in-cheek attitude, Mars’ paintings evoke a
vintage quality of design and pay homage to the idealized age of growth and hopefulness that was prevalent in the USA at the end of the Depression.
A time before the internet and mobile technology, where information was not instantly available to millions and there was no such thing as instant internet
celebrities, and instead people lived with the myth of the unique, untouchable and unforgettable personalities of Marilyn Monroe, Elizabeth Taylor, James
Dean, Audrey Hepburn and Elvis Presley.
Mars’ work is exhibited with the likes of Andy Warhol, Damien Hirst, and Robert Rauschenberg,
and has been shown worldwide including galleries in Munich, Tokyo, Amsterdam, London, Australia, Boston, New York, Los Angeles, Laguna Beach, Paris, Aspen, and Bulgaria.
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